Early Morning View of the Bridge of Sighs, Venice, Italy

Sighs at the Bridge in Venice

One of the most recognizable symbols of Venice, Italy is the Bridge of Sighs. We have a black and white poster framed on our wall of this monument, and I have wanted to replace it with my own photo since I bought it. There is something about the light in that other artists rendition that is too harsh. Perhaps the severity is appropriate given that this “bridge” connects the Doge’s Palace to the prison across the canal. Lord Byron allegedly gave the passage its name suggesting, “that prisoners would sigh at their final view of beautiful Venice through the window before being taken down to their cells.” (wikipedia).

To me the architectural beauty of the bridge needs to be highlighted rather than its function. I’m not sure if this one will be “the one” to end up on my wall, but I really love the romantic morning view. Morning is also about the only time you can see the Bridge of Sighs without a mass of tourists in your shot!

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Awe in a Fur Coat, St Marks, Venice Italy

Characters

I don’t focus enough in my travel work on people. I always think I will offend, even though someone is lounging in the sun in public. There are, occasionally, characters who’s draw is too powerful for even me to resist. This woman was one of them. She seemed like she belonged in Venice, and was decked in an outfit most queer. It was not her attire that drew my attention, but the way in which she viewed her world.

She walked hurriedly as if unaware of anything or anyone, then suddenly would stop, and stare intently at some part of the Basilica di San Marco. She would stand for an eternity staring at one tiny facet of the ocean of art that IS the Basilica as if drinking in only one mosaic at a time was all her soul could stand. Today she would KNOW another piece of one of the most beautiful churches in the entire world world and perhaps in a lifetime, she would be able to piece together in her heart one of our greatest human triumphs.

I don’t know if this story is true, I never spoke to her, but I felt it when I saw her and I admire her awe.

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Gondolas of the Venice Grand Canal at Sunset

Perfect Moments

It was January on the water, I had a respiratory infection, and the sea air seemd to do me no more good then it did for Gustav von Aschenbach in the novel Death in Venice. I actually spend a good deal of time later this night contemplating if my breathing got worse, how would I get to a doctor…does a water ambulance come and take you to the hospital? Luckily, my problems were run of the mill sick, nothing like the plague, but you can escape that history either when you visit Venice.

All of these problems and dark thoughts one would think could drag down anyone’s spirits, but not me…not in Venice. It is a jewel, one that specifically requires blinders, but even the most amazing gemstones have flaws. The people who built this city undoubtedly understood the sea, its power and majesty. They must have also been a bit mad, but standing on that pier looking at the sunset, I believe we have the same heart.

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A Desperate View of the Doge’s Palace in Venice, Italy

Choosing Photos

I find myself wondering as I type this, what draws me to a particular photo to work on it. There may be one singular element that triggers interest for me. Often, there are just photos I know will do well with my particular process, today’s photo wasn’t one of them. Today, I was intrigued by two things in this photo. One was how I caught the smallest sliver of the setting sun behind the bridge. The other, and most important element was the ghosted people along the corridor by the Doge’s Palace. The vantage point of this shot is from the front of the Venetian Prison and something about those distant uncaring ghosts seemed perfect to me.

Photo Technical Info

  • Aperture: ƒ/4
  • Camera: Canon EOS 5D Mark II
  • Taken: 25 January, 2014
  • Focal length: 27mm
  • ISO: 400
  • Location: 45° 26.0237′ 0″ N 12° 20.4647′ 0″ E
  • Shutter speed: 10s
  • Title: A Desperate View of the Doge's Palace in Venice, Italy

Gaudi Chimney’s and a Blue Sky in Barcelona

The Forms of Gaudi

I have been thinking about Barcelona recently. It’s such a beautiful city and everywhere you turn it seems there is an explosion of art. Random acts of beauty, more-so then you get with most European cities (which is generally quite a bit). Barcelona even takes the time to make it’s subway stations amazing. Obvious placement not withstanding, I often find the little thing the most delightful and it was very much so the case on the roof of Casa Milà, one of the many Antoni Gaudi masterpieces of architecture. These are some of his terracotta chimney designs, something that most designers would overlook, take on a life of their own against the blue Barcelona sky.

Photo Technical Info

  • Aperture: ƒ/8
  • Camera: Canon EOS 5D Mark II
  • Taken: 19 February, 2013
  • Focal length: 17mm
  • ISO: 100
  • Location: 41° 23.7203′ 0″ N 2° 9.718′ 0″ E
  • Shutter speed: 1/500s
  • Title: Gaudi Chimney's and a Blue Sky in Barcelona

Park Guell at the Entrance

A Beautiful Mind

To me, Barcelona is Gaudi. It’s an unfair characterization, but when you have a true artist in your city’s history, one so gifted at seeing what others miss, it’s impossible for me not to find comfort. Gaudi is everywhere, or rather it is perhaps that his style is so impactful, one viewing of a masterpiece and it seems all you have seen. Today’s photo was one of his great failures. That too is unfair. It failed during Gaudi’s time, when I visited it was one of the more popular places in Barcelona. Perhaps this is one of the great lessons for people working or even dabbling in the arts. Even the masters have their critics as it seems in Gaudi’s time no one wanted to live in the Mansions in Parc Güell. I can’t imagine, unless at the time the Park was so far from the city proper, but even then, what views!

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Sunshine on the Grand Canal in Venice, Italy

Late Morning in Venice

I got up really early on a rainy morning in Venice to shoot St Mark’s Square when it was devoid of people. I was sick with my general post travel lung disease. I had returned home from Oahu, worked one day, then flew to Milan where I took the train to Venice. Once the sun came up, I found why many consider Venice one of the most beautiful cities in the world. This view is looking across the Grand Canal, the Doge’s Palace is to my back, I can’t think of a more wonderful way to start a sick day. If you go, just look out for the tourists!

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Outside the Walls of Santa Maria delle Grazie in Milan, Italy

Visiting The Last Supper

On my last visit to Milan, I went to Santa Maria della Grazie, the church where DaVinci painted The Last Supper. I was surprised by its impact, both historically and the almost wonderfully horrific deterioration it faces. I wonder if Leonardo knew people would be viewing this work for over 500 years. He was going for more detail and luminosity then can be achieved with normal wet fresco techniques and instead painted on a dry wall. It isn’t really a fresco, and given your perspective, the ages have not been kind. I have always wondered how much of this was intended and how much was simply an experiment in technique. Was Leonardo chuckling to himself the entire time I painted the last supper? Is there hidden meaning, in the fight to keep everything from falling apart…something part of a grander design?

The painting is on one wall of the dining hall of the monastery. You only get 15 minutes with the work (and the Crucifixion on the opposite wall by Giovanni Donato da Montorfano). Security is TIGHT…I have never been anywhere with multiple automatic man traps. At your allotted time, you enter and get locked in, then another door opens, you move to the next trap and get locked in. Eventually the dining hall is opened and your small group is allowed inside (no photography of course due to the delicate nature of the art). Fifteen minutes was not enough time for me…I could have stayed and stared and felt much longer.

Walking the parameter

Walking to the metro, I walked around the perimeter walls of the monastery. This shot is from the street outside one of the courtyards.

Photo Technical Info

  • Aperture: ƒ/8
  • Camera: Canon EOS 5D Mark II
  • Taken: 5 April, 2014
  • Focal length: 19mm
  • ISO: 500
  • Location: 45° 27.9857′ 0″ N 9° 10.2992′ 0″ E
  • Shutter speed: 1/2000s
  • Title: Outside the walls of Santa Maria delle Grazie in Milan, Italy

Morning on the Rialto Bridge

Bridge of Shops

Rialto Bridge is a pedestrian bridge full of shops. You can see many of them on this side, there are more on the opposite sides as well. During the day, like much of Venice, the bridge is packed with people. Venice is an odd city, part preserved Europen city and part tourist trap. It’s a bit like one of the Disney parks in a way. You pretty much love every second you are there, but you cant help but feel like you are getting taken at the same time.

Casa Batllo Skylight

Brilliant Design

I cant get over the many ingenious design elements of Antoni Gaudi’s homes. This skylight running through the center of Casa Batllo is a perfect example. The further light has to travel, the weaker it seems. This is something I deal with in photography all the time, but in a multistory home like this it would mean the lower floors would have weak light, while the top floor would be flooded. Gaudi brilliantly used multicolored tiles to counteract this effect. Towards the top the tiles are dark blue. As you get further away from the source of light, the lighter the tiles become. The dark colors absorb more light, the light colored tiles reflect more helping to balance the light to all floors.